{"id":32619,"date":"2026-02-20T18:15:40","date_gmt":"2026-02-20T18:15:40","guid":{"rendered":"https:\/\/www.abbayesaintandre.com\/?p=32619"},"modified":"2026-02-20T18:26:12","modified_gmt":"2026-02-20T18:26:12","slug":"exposition-gustave-fayet-et-ses-jardins-imaginaires","status":"publish","type":"post","link":"https:\/\/www.abbayesaintandre.com\/?p=32619","title":{"rendered":"&lsquo;Gustave Fayet et ses jardins imaginaires&rsquo; exhibition, 1 March &#8211; 2 August 2026"},"content":{"rendered":"<h2><span style=\"color: #333333;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-33071\" src=\"https:\/\/www.abbayesaintandre.fr\/wp-content\/uploads\/2025\/12\/image127-1-e1765391887271-233x300.jpeg\" alt=\"\" width=\"233\" height=\"300\" \/><\/span><\/h2>\n<p>Gustave Fayet landscaped gardens on his properties, such as Fontfroide Abbey, Igny Castle, and Villa Costebrune, making nature a major source of inspiration. These spaces nourished his artistic work, where botany, whether real or recomposed, rubs shoulders with the fantastic.<\/p>\n<p>His creations, deeply influenced by decorative research, are displayed on canvases, carpets, fabrics, blotting paper, and illustrated books. The floral motifs, sometimes transformed, evoke the work of Redon and reflect a unique vision of plants, where nature and decoration harmoniously complement each other.<\/p>\n<p>This exhibition will reveal the richness of this universe, where garden art, botany, and decoration intermingle. To look at Gustave Fayet&rsquo;s imaginary gardens is to discover vibrant creations that bear witness to his inventiveness and his original view of nature at the beginning of the 20th century.<\/p>\n<p>&nbsp;<\/p>\n<h3>INFORMATIONS PRATIQUES<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-33073 alignleft\" src=\"https:\/\/www.abbayesaintandre.fr\/wp-content\/uploads\/2025\/12\/image128-scaled-e1765393285973-150x150.jpeg\" alt=\"\" width=\"313\" height=\"313\" \/><\/p>\n<p><em>Exhibition curator &lsquo;<\/em><em>Gustave Fayet et ses jardins imaginaires&rsquo;<\/em> :<\/p>\n<p><strong> Pierre Pinchon<\/strong>, Professor of Contemporary Art History, Aix-Marseille University, UMR 7303 TELEMME-CNRS<\/p>\n<p>and<\/p>\n<p><strong>Olivier Schuwer<\/strong>, Head of General Coordination, Fayet Season Research Program,<\/p>\n<p>with the participation of Elodie Cottrez, art historian.<\/p>\n<p><strong>Gallery Panels : <\/strong>students of Master 2 Histoire de l&rsquo;art moderne et contemporain (Parcours 1 Recherche), Aix-Marseille Universit\u00e9 : Olivier Barriol, Romane Chabin, Martine Chevallier, Loana Dumond, Erinne Guerit, Lilia Meier-Meunier, Marie Nerini, No\u00e9mie Van-Assche<\/p>\n<p><strong>Authors of the forthcoming exhibition catalog :<\/strong><\/p>\n<p>Guillaume d\u2019Abbadie, great-grandson of Gustave Fayet, state administrator at the Ministry of Culture<\/p>\n<p>St\u00e9phanie de Courtois, senior lecturer, <a href=\"https:\/\/www.versailles.archi.fr\/fr\/recherche-leav\/le-laboratoire\">ENSA Versailles \/ Laboratoire LEAV.<\/a><\/p>\n<p><a href=\"https:\/\/www.botanique-jardins-paysages.com\/\">V\u00e9ronique Mure<\/a>, botanist and tropical agricultural engineer<\/p>\n<p>Pierre Pinchon, Professor of Contemporary Art History, Aix-Marseille Universit\u00e9, <a href=\"https:\/\/telemme.mmsh.fr\/\">UMR 7303 TELEMME-CNRS<\/a><\/p>\n<p>Antoine de Rosny, professor of classical literature, specialist of Andr\u00e9 Suar\u00e8s<\/p>\n<p>Olivier Schuwer, Doctor of Art History, Head of General Coordination for the Saison Fayet Research Program<\/p>\n<p>Students of Master 2 Histoire de l&rsquo;art moderne et contemporain d&rsquo;Aix-Marseille Universit\u00e9 : Olivier Barriol, Romane Chabin, Martine Chevallier, Manon Cholley, Loana Dumond, Erinne Guerit, Lilia Meier-Meunier, Marie Nerini, No\u00e9mie Van-Assche<\/p>\n<p><strong>Documentalist :<\/strong><\/p>\n<p>Aline Lemaitre<\/p>\n<p><strong>Panneaux de salle :<\/strong><\/p>\n<p>Students of Master 2 Histoire de l&rsquo;art moderne et contemporain (Parcours 1 Recherche), Aix-Marseille Universit\u00e9 : Olivier Barriol, Romane Chabin, Martine Chevallier, Loana Dumond, Erinne Guerit, Lilia Meier-Meunier, Marie Nerini, No\u00e9mie Van-Assche<\/p>\n<p><strong>Graphic design <\/strong><strong>:<\/strong><\/p>\n<p>Abbaye Saint-Andr\u00e9, graphic design of the exhibition<\/p>\n<p><a href=\"https:\/\/www.asenso.fr\/\">Studio Asenso<\/a>, graphic design of the catalog<\/p>\n<p><strong>Translation :<\/strong><\/p>\n<p><a href=\"https:\/\/www.linkedin.com\/in\/louise-rogers-lalaurie-6b884664\/\">Louise Rogers Lalaurie<\/a>, author, literary translator, art historian<\/p>\n<p><strong>Restoration of works <\/strong><strong>: <\/strong><\/p>\n<p>S\u00e9verine Padiolleau, conserver-restorer of paintings<\/p>\n<p>Fondation Louis Vuitton, Florence Delnef, wallpaper restorer et Armand Deroyan, carpet expert and restorer<\/p>\n<p><strong>Picture framing <\/strong><strong>:<\/strong><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/rieffelc\/\">Christine Rieffel<\/a><\/p>\n<p><strong>Partners <\/strong><strong>:<\/strong><\/p>\n<p>Association Mus\u00e9e d\u2019Art Gustave Fayet \u00e0 Fontfroide (<a href=\"https:\/\/gustavefayet.fr\/association-du-musee-dart-gustave-fayet-a-fontfroide-magff\/\">MAGFF<\/a>)<\/p>\n<p><strong>Lenders <\/strong><strong>:<\/strong><\/p>\n<p><a href=\"https:\/\/www.narbonne.fr\/palais-musee-archeveques\">Palais-Mus\u00e9e des Archev\u00eaques de Narbonne<\/a><\/p>\n<p><a href=\"https:\/\/www.musee-rigaud.fr\/\">Mus\u00e9e d&rsquo;art Hyacinthe Rigaud de Perpignan<\/a><\/p>\n<p><a href=\"https:\/\/www.ville-beziers.fr\/culture\/musee-fayet\">Mus\u00e9e Fayet de B\u00e9ziers<\/a><\/p>\n<p>Abbaye de Fontfroide et Abbaye Saint-Andr\u00e9<\/p>\n<p>Indivision Germaine d\u2019Abbadie, Barth\u00e9l\u00e9my d\u2019Andoque de S\u00e9ri\u00e8ge, Alexandre d\u2019Andoque de S\u00e9ri\u00e8ge, Constance et Hugues Bacou, Antoine Fayet, Pierre Fayet, Indivision Granel, R\u00e9my de Langlade, Marc de Langlade, Oriol Sol\u00e9, Jean Viennet<\/p>\n<p><strong>Press relations :<\/strong><\/p>\n<p>Briseis Communication<\/p>\n<p><strong>Photo credits <\/strong><strong>:<\/strong><\/p>\n<p>MAGFF, Isabelle Ildevert, Henri Gaud, Abbaye Saint-Andr\u00e9.<\/p>\n<h2>\u201cThe Gustave Fayet Centenary Season\u201d<\/h2>\n<p>On the occasion of the centenary of Gustave Fayet\u2019s death, the Gustave Fayet Art Museum Association at Fontfroide (MAGFF) has joined forces with several major institutions to pay tribute to this central figure in the history of modern art. From 2025 to 2027, the Gustave Fayet Centenary Season (1865\u20131925), supported by an ambitious cultural program (exhibitions, concerts, publications, conferences), explores the many facets of this artist, collector, patron, and entrepreneur.<br \/>\nAt the dawn of the 20th century, Gustave Fayet established himself as one of the earliest collectors of the avant-garde. He assembled an impressive collection of works, notably by Paul Gauguin and Vincent van Gogh. In 1908, he acquired the Abbey of Fontfroide, where Odilon Redon created his masterpiece Day, Night, Silence in the library. An artist himself, Fayet saw his own works gain increasing recognition until his death in 1925.<br \/>\nThus, from the Abbey of Fontfroide (Narbonne) to the Abbaye Saint-Andr\u00e9 (Villeneuve-l\u00e8s-Avignon), from the Museon Arlaten in Arles to the town of Igny, from the Fayet Museum and the Andr\u00e9 Malraux Media Library in B\u00e9ziers to the Fondation Louis Vuitton (Paris), this Centenary Season invites audiences to discover the exceptional universe of the works acquired or created by Gustave Fayet.<br \/>\nMore information here :<a href=\"https:\/\/gustavefayet.fr\/saison-fayet\/\"> https:\/\/gustavefayet.fr\/saison-fayet\/<\/a><\/p>\n<p><a href=\"https:\/\/youtu.be\/3YubQOb88M8?si=c0pDLnAX-CaCjRF-\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32882 size-medium\" src=\"https:\/\/www.abbayesaintandre.fr\/wp-content\/uploads\/2024\/12\/GustaveFayet-FR-2K-08-1-1-frame-at-0m11s-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gustave Fayet landscaped gardens on his properties, such as Fontfroide Abbey, Igny Castle, and Villa Costebrune, making nature a major source of inspiration. These spaces nourished his artistic work, where botany, whether real or recomposed, rubs shoulders with the fantastic. His creations, deeply influenced by decorative research, are displayed on canvases, carpets, fabrics, blotting paper, and illustrated books. The floral [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":32624,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,5,7],"tags":[],"class_list":["post-32619","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-event","category-exhibition","category-partners"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&#039;Gustave Fayet et ses jardins imaginaires&#039; exhibition, 1 March - 2 August 2026 - Abbaye Saint-Andr\u00e9 - Villeneuve-lez-Avignon<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.abbayesaintandre.com\/?p=32619\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&#039;Gustave Fayet et ses jardins imaginaires&#039; exhibition, 1 March - 2 August 2026 - Abbaye Saint-Andr\u00e9 - Villeneuve-lez-Avignon\" \/>\n<meta property=\"og:description\" content=\"Gustave Fayet landscaped gardens on his properties, such as Fontfroide Abbey, Igny Castle, and Villa Costebrune, making nature a major source of inspiration. These spaces nourished his artistic work, where botany, whether real or recomposed, rubs shoulders with the fantastic. His creations, deeply influenced by decorative research, are displayed on canvases, carpets, fabrics, blotting paper, and illustrated books. 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